Thomas Golubic who is the music supervisor of the series, talks about how he entered the music industry, for the finale of the fifth season, the end of the 4.11 "Crawl Space" and for many more!
Read the details below!
Read the details below!
E: How did you get into the music scene?
A: I started an online journal in 1996, which failed. When a local radio station that I loved (KCRW 89.9FM) announced to me that they upgraded their website, I voluntarily helped them to avoid making the same mistakes I did. I enjoyed the experience and when I offered to help them in the music library, I agreed. When not in use by the DJ of the station would look amazing and I would find music from the huge collection. A DJ was playing what he heard and suggested I build a demo program. I made one, and so I became accepted and KCRW DJ's from 1998 until 2008. Thanks to those who listened to my schedule, I had offers from chores to do A & R for music companies. I decided it would be best course as Music Editor, so I knew a link to G. Marq Roswell (music supervisor). I learned the job and later worked with my friend and DJ at KCRW, Gary Calamar and founded SuperMusic Vision, my company. We worked on the series of Six Feet Under HBO and in several films and series together and then parted our ways. The SuperMusic Vision now are me, Yvette Metoyer and Michelle Johnson.
E: What made you choose these songs played in the finale of the fifth season; What are you trying to achieve? How do you think came out the overall effect?
A: I must say that the Breaking Bad is mostly teamwork and musical ideas come from various sources. For the finale of the season was Vince Gilligan who found the Pick Yourself Up of Nat King Cole. We put a lot of different ideas in editing but it stuck. It was completely unexpected that the music fits the violent scene. I think it was very good. The Crystal Blue Pers Tommy James and the Shondells been considered in the past several seasons, waiting for the right moment. The Moira Walley-Becket wrote the episode and found the perfect spot for the song directed by Michelle MacLaren scene Afytos song in mind. All tied up nicely.
Q: How do you compare your work in Breaking Bad comparing to the same in Las Vegas and Six Feet Under;
A: Every project is different and causes a unique way. I think the Breaking Bad is "difficult", but is most rewarding. I think my best work I've done in Breaking Bad, but there is not remember my work as Breath Me by Sia ended in Six Feet Under or all of the beautiful musical moments of my career. When you're in the moment, doing the best job that you work hard for the best if you have high standards, working with open-minded partners create dynamic scenes that tell the story you want to tell and give a spark of inspiration to the public.
Q: The cast of Breaking Bad has been influenced by the music you choose?
A: Of course. Most actors drive the music selection. The screenwriters create the DESCRIPTION of the world living our characters, the director of photography (Michael Slovis) and the entire production team but the color Vryan Cranston and Aaron Paul along with the whole cast alive. The chemistry they have in each scene is what guides our musical choices, what is right and wrong and when they do not even music. Music is the last element of the production and I with my team we see scenes again and again making our choices. It is the spark that exists between the actors that guide our choices more than anything else.
Q: On a personal level, what do you think is the best choice for your music editing?
A: It's impossible to say. As a father can not pick a favorite child so one music supervisor can not choose his favorite musical moment. I'm sure that sometimes the favorite is what I found with the greatest difficulty and the other piece that matched the very first time. In the end they all have the same love and depend on other, more is better.
Q: How did you think to lecture strange Goin 'Down from Monkees to the scene of Walt cooking with Todd;
A: This pick another screenwriter. The Tom Schnauz who wrote and directed the episode worked with editor and tried this song for this scene. There were several ideas before filmed the scene but in the editing room Goin 'Down was what fitted.
Q: The last scene of 4x11 was incredible. The Bryan Cranston was phenomenal (and) in this scene. Can you tell us something more about this?
A: It's one of my favorite moments of the series. All work done in this surreal scene and the dark, minimalist piece of Dave Porter builds complete nervous breakdown of Walt. It's a perfect example of what makes Breaking Bad so good. When you see the scene for the first time did not watch all the solitary pieces, perfect photographic choices and incredible performances but when it was all over, ties into one incredible "Breaking Bad moment." Who could ask for more?
So that was an interview of
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